Carmen - New Passion in the Alto Maipo

Cabernet Sauvignon vineyards at Carmen estate in the Alto Jahuel district of the Alto Maipo, Chile (Photo ©Tom Hyland)



No puedes hablar de pasión. Si no lo has probado.
You can’t talk about passion. You have to taste it. – Slogan for Carmen Winery


It’s a natural thought process to focus on what’s new and trendy and overlook an established commodity. The wine media does it all the time, so it may not be a surprise that you don’t hear much about Carmen Winery in Chile, as it was founded in 1850. But you’d be missing out on some gorgeous wines if you didn’t include Carmen in your list of the best Chilean wine estates.

This may be Chile’s oldest wine house, but there have been numerous changes over the past 25 years. The winery was purchased in 1987 by a new ownership group and a new winery was built in 1992 in the Alto Jahuel section of the Alto Maipo, southeast of Santiago. The Alto Maipo is a very different section of the Maipo Valley than the vineyards in the western reaches of the valley, where the more fertile soils yield pleasant, if unexciting wines. The Alto Maipo, with vineyards at elevations above 2000 feet, is an ideal spot for producing full-bodied wines with excellent acidity, as the cool nights at the high elevations assure proper backbone and structure in the wines. “This is the only place in the Maipo to make great Cabernet Sauvignon,” says Carmen chief winemaker Stefano Gandolini.

There are a few dozen estates that produce sumptuous reds here and Carmen is one of the finest. There are several lines of Carmen wines, starting with the classic bottlings in the $8-9 price range which are produced primarily from grapes grown in Chile’s Central Valley. What I’d like to focus on however are the Reserve wines along with the Winemaker’s Reserve wines as well as the Gold Reserve Cabernet Sauvignon

I won’t go into every wine here, but among the Reserve wines, three stand out in my mind. The 2008 Sauvignon Blanc Reserve (about $15 retail) has nice varietal intensity with flavors of grapefruit and a hint of lime, lively acidity and a long, richly flavored finish. What an ideal choice for ceviche, shrimp or scallops.

The 2006 Carménère-Cabernet Sauvignon Reserve ($16) has exotic aromas of menthol and oregano with rich black fruit flavors and notes of tobacco in the finish along with round tannins. This is quite elegant and is a perfect foil for most red meats; if you love South American cuisine, this is heavenly with empanadas!

My favorite Reserve is the Merlot ($16); given how boring most bottlings of Merlot are, this is saying something. The trick here is that the grapes are from Casablanca Valley, a much cooler region than Maipo. This means better acidity, which gives this wine excellent structure, freshness and a clean, bright finish. This is simply a delicious wine with tasty black cherry and red plum flavors and an elegance from start to finish. If only more Merlots were made with this amount of care! Foods for this- you name it! This is an important wine, not only because it’s well made, but because it’s a well-made Merlot for $16. I’d go out and buy several bottles or a case if I were you!

The 2007 Winemaker’s Reserve Chardonnay, also from Casablanca Valley, has Meursault-like qualities about it, with its rich fruit and notable spice. The flavors are quite attractive – pear, pineapple and quince and there’s just the right amount of oak along with a nice touch of minerality in the finish. This has another 2-3 years of life ahead of it and it’s a fine value at $25.

The 2005 Winemaker’s Reserve Red is a gorgeous blend of Cabernet Sauvignon, Carménère, Syrah, Merlot and Petite Sirah that is truly something special. Loaded with layers of fruit and boasting flavors of black plum, cassis and milk chocolate, this sports a lengthy finish with elegant tannins and beautiful structure. I see this wine aging well for as long as 12-15 years, making the $45 price tag a steal. How good this wine is with roast pork or most game dishes!


Gold Reserve Cabernet Sauvignon

Finally there is the 2005 Gold Reserve Cabernet Sauvignon produced from a single vineyard at the Alto Jahuel estate. This vineyard was planted in 1953; the wine displays the intensity and breeding of these old vines along with wonderful suppleness and structure. This is a powerful wine, yet at the same time beautifully balanced with an extremely long finish. It’s excellent now and may just turn out to be outstanding in 12-15 years; like any red wine of this caliber and strength, this needs time to settle down. The price is approximately $70 a bottle, which puts it on an equivalent level with the best red wines of the Alto Maipo.

So from an old, established winery, beautiful new wines. Congratulations to head winemaker Stefano Gandolini and the other member of his winemaking team, Sebastián Labbé and Alejandra Vallejo for their outstanding work!

Alejandra Vallejo, one of the winemakers at Carmen (Photo ©Tom Hyland)

Santa Rita - Old World Chilean Charm

Chile has been defined as a New World country regarding its wines, but during my recent visit, I found notable examples of Old World appeal and sophistication in the wine country. Santa Rita, one of the country’s best-known wine estates, is an ideal example of that allure.

Founded in 1880, Santa Rita is located in the Alto Jahuel area of the Maipo Valley, about 45 minutes southeast of Santiago, the country’s capital city. While the Maipo Valley is famous for the class and breeding of its wines (especially red), it is this area known as the Alto Maipo that is home to the most complex, longest-lived Cabernet Sauvignons and other red wines. Vineyards here are situated at 1200-2000 feet above sea level and provide ideal conditions for full-bodied reds, given the naturally limiting yields and the cool temperatures that mean extra hangtime.



What I love about Santa Rita is the care and attention to detail the owners have brought to this estate. Stroll the grounds and you’d think you were in the 1880s, as you sit on the veranda of the hotel and take in the beauty of the 100-acre park with its array of chestnut, almond, olive and cedar trees standing alongside a marvelous collection of mythological statues and an impressive chapel. Few wine estates I have visited in the world offer an entrancing atmosphere such as this.


Additional beauty is found by simply driving into the estate alongside the vineyards. The Alto Jahuel Mountains provide a dramatic backdrop and many rows are fronted by huge red roses. How can you not have positive thoughts about the wines produced here when you experience nature in this fashion?

As for the wines themselves, Santa Rita has several ranges, all well made. The entry level is called “120,” which is named for 120 Chilean patriots who led the fight for the country’s independence. These are $8-$9 retail wines in the US and while there are several other Chilean producers that also make wines at this level, few do it as well as Santa Rita. Particularly nice are the 2008 Sauvignon Blanc with pleasant melon and spearmint flavors and the 2007 Cabernet Sauvignon with good varetal character and a clean, lightly tannic finish.

I won’t go through all the wines here, but there are excellent examples in every category. For the Reserva line, the 2008 Sauvignon Blanc from Casablanca Valley and the 2007 Carménère from Rapel Valley are especially noteworthy. The Medalla Real wines, priced in the $18-20 category are especially elegant and complex; the 2006 Cabernet Sauvignon from Maipo (much of it from the Alto Jahuel estate) and the 2007 Carménère from Colchagua are beauties; each displaying elegance, spice, complexity and a great deal of class.


Santa Rita winemaker, Andrés Ilabaca (Photo ©Tom Hyland)


Winemaker Andrés Ilabaca deserves a lot of credit for crafting so many fine bottlings in so many categories. Of course, the agronomists and Mother Nature have a lot ot say in the final product as well, but it’s impressive what Ilabaca has done with all of these wines!

One thing I love about Santa Rita is their work with Carménère, a variety that should be better known. Cuttings of this cultivar were brought to Chile from Bordeaux in the 1850s and for over a century, most wineries thought this plant was Merlot. This mistake was finally recognized in 1994 and wineries have been labeling the wines made from this variety correctly ever since. But for those waiting to witness a new wave of excitement with Carménère, well, it just hasn’t happened.

There are two main reasons for this, the most important being the imperfect guesswork done with this variety. Much of the plantings were in zones that were too cool; now growers and enologists have discovered that Carménère works best in warmer zones, which helps promote ripeness and lessen the green, overly herbaceous character. A second reason has to do with marketing as some in the industry have recommended to Chile’s producers to focus on Sauvignon Blanc and Cabernet Sauvignon and not worry about Carménère.

Well, I think this “keep it simple, stupid” philosophy is a dumb one, especially when you taste some of the best examples of Carménère from Santa Rita and other producers. The Medalla Real bottling from 2007 has aromas of black plum, molasses and tar and offers a rich mid-palate and a long finish with round elegant tannins. “Carménère has a lot of tannins,” says Ilabaca, “but they are silky and not overly aggressive.” Ilabaca has also produced a premium Carménère called Pehuén, blended with 15% Cabernet Sauvignon and also uses Carménère in a gorgeous red known as Triple C, a blend of Cabernet Franc, Cabernet Sauvignon and Carménère. Clearly Santa Rita is one of the leading proponents of Carménère in Chile; they should be commended for ignoring marketing suggestions and proceeding with the necessary research for this important variety.

Cecilia Torres, winemaker, Casa Real (Photo ©Tom Hyland)

One final wine from Santa Rita that deserves mention is the Casa Real, a Cabernet Sauvignon made from the oldest vineyards (average age 45-50 years) on the Alto Jahuel property. Winemaker Cecilia Torres led me through a tasting of four vintages of this glorious wine, from the current 2005 offering back to the 1995 bottling. She mentioned that the Casa Real wines of the 1990s were affected by the El Niño conditions which resulted in droughts throughout Chile (especially severe in 1999), yielding wines of a more powerful nature than normal. Torres told me that she always aims for “elegance over opulence,” so she prefers the recent releases. The 2005 (US retail, $75) is a gorgeous wine with beautiful red plum, cassis and cedar aromas, excellent depth of fruit and a beautifully structured finish; I look for this wine to be at its peak in 12-15 years.

Elegance is indeed the key to Casa Real and to the Santa Rita philosophy. How lovely a thought to consider while having your appetizers of local seafood on the patio at the estate's restaurant. You know, the people that run Santa Rita have got their priorities straight – wine and food provide harmony in our lives. Some wineries may live and die on magazine ratings, but not Santa Rita.

Text and photos ©Tom Hyland

New Sicilian Wine Projects

The Etna district in eastern Sicily is home to some of the most interesting red wines in all of Italy. This is a DOC zone where two red varieties, Nerello Mascalese and Nerello Cappuccio are dominant. Many estates here have very old vines of at least 50 years of age, while there are a few 100-year-old plantings in the area. At the new Tenuta di Fessina, owner Silvia Maestrelli (pictured at left, Photo ©Tom Hyland) purchased an existing estate with beautiful old vines (most planted about 80 years ago) and is now producing some beautiful reds from this area. The 2008 basic red receives no oak; this wine called Erse has delicious red currant fruit, soft tannins and is quite charming. The other called Musmeci is more robust with ripe morel cherry fruit, but still quite elegant and has plenty of spice. Look for this to be at its best in 5-7 years.

Maestrelli is also producing a Chardonnay at Fessina, but the grapes for this wine come from the western reaches of the island. Unlike a few of the more famous Chardonnays from Sicily, this wine received no oak aging. This 2007 offering, labeled Nakone is outstanding with excellent concentration, beautiful texture and vibrant acidity. Combining deep fruit flavors of quince and pear with a light touch of minerality, this is comparable to a Premier Cru Chablis both in terms of style and quality. What an excellent first-release; much of the credit certainly goes to agronomist and winemaker Federico Curtaz! (The Tenuta di Fessina wines are brand new and will be available in small quantities perhaps by year’s end in the US market.)


I met my long-time friend Mario Schwenn (pictured left, Photo ©Tom Hyland) on my trip; having known him entirely from his days at Dievole in Chianti Classico, seeing him in Sicily was a pleasant surprise. He was premiering his 2007 Chardonnay named Laudari for his new Sicilian project Baglio del Cristo di Campobello. The Chardonnay is quite rich with ripe golden apple fruit and features spicy oak, which is more noticeable in the nose than on the palate. This has deep concentration and needs a bit of time to settle down; it should be at its best in 2-3 years.

Schwenn has also produced a 2007 Syrah named Lusira and a red blend named Adenzia consisting of Nero d’Avola, Syrah and Cabernet Sauvignon. I didn’t taste these wines, but given Schwenn’s passion – along with the winemaking expertise of Riccardo Cotarella – I’m sure these releases will be something special!

Bolgheri - Part Two - The Young Lions

Enrico Santini (Photo ©Tom Hyland)


This is part two of my series on my recent visit to the Bolgheri wine district along Tuscany's west coast - Tom Hyland


Bolgheri is world-famous for wines such as Sassicaia and Ornellaia, but there are numerous examples of local wines that are very well made and are waiting to be discovered. Many of these are noteworthy values, with a few of the wines coming in at less than $20. I love finding wines like this; I think the vintners of Bolgheri need to get the word out that not every red wine here sells for more than $150!

To that end, I visited three lesser known estates in Bolgheri on my recent trip. Guado al Melo, owned by Michele Scienza is a small estate with impeccably farmed vineyards and a striking underground cellar that meshes beautifully with the local landscape. Scienza, whose father Attilio is one of Italy's most respected wine teachers and historians, produces a nice range of wines including a beautiful white made from Vermentino and an obscure French grape named Petit Manseng. I tasted several vintages of this wine, including the 2002, which offered lush tropical fruit flavors and deep concentration; this is showing nicely now and should drink well for another year or two.


Michele Scienza, Guado al Melo (Photo ©Tom Hyland)


For the reds from Guado al Melo, look for the Bolgheri Rosso “Antillo”, a blend of 70% Sangiovese, 15% Petit Verdot and 15% Cabernet Sauvignon, a wine that sells between $12 and $14 on American retail shelves; this offers nice complexity for this price and is meant for drinking within 2-3 years. The regular Bolgheri Rosso, which sells for $18, has a greater percentage of Cabernet Sauvignon, giving it more tannins for mid-term (5-7 years) cellaring. Wines like this are to be encouraged, especially to help introduce Bolgheri to more consumers; not everything made here is meant to be enjoyed 25 years from now! (Premium Brands of Forest Hills, NY is the importer for Guado al Melo.)

Enrico Santini is a name you may hear more often in the near future, given the quality of his wines. Literally making wine out of his garage near the town of Castagneto Carducci, Santini is equally at home with white and red wine. His white, a blend of Vermentino and Sauvignon known as Campo alla Casa, has beautiful spearmint and pine aromas with very good depth of fruit and finely tuned acidity. This is a very enjoyable glass of wine on its own; for food pairing, try it with shellfish.

It is his Bolgheri Rosso known as Montepergoli that is quietly putting Santini among the area’s best vintners. The current bottling is from 2004, a great vintage and the wine delivers all it promises. The aromas are room-filling, with notes of dark chocolate, mocha, marzipan and black cherry. Full-bodied with excellent concentration and great fruit persistence, this is headed for its best showing in 20-25 years. The 2003 from a difficult vintage is starting to round out nicely and is much more elegant that many similar wines from that torridly hot year. I tasted the 2001 Montepergoli recently and was thrilled with its development. Now the 2004 has arrived and in my opinion this offering can stand with the best red wines of Bolgheri. The wine will arrive in a few months in the States; Vintus is the national importer. Great news is that you won’t be paying an arm or a leg for this wine!


Helena Lindberg, winemaker, Tenuta di Biserno (Photo ©Tom Hyland)

Finally, I visited Tenuta di Biserno, the new property of Lodovico Antinori, founder and former owner of Tenuta dell’Ornellaia. The estate is located just outside the Bolgheri DOC area near the town of Bibbona, but shares many of the same soil and climatic conditions of the famous Bolgheri estates. Three wines, two IGT Toscana and one Bolgheri DOC wine are currently produced here with another premium red in the plans. The Insoglia delle Cinghiale is a blend of Syrah, Merlot, Cabernet Franc and Petit Verdot. The new 2007 offers plenty of fruit, excellent complexity with very subtle wood notes. Nicely balanced, this is meant for consumption over the next 5-7 years. (Wilson-Daniels is the national importer for Tenuta di Biserno; the 2007 will not be available until the fall; the current 2006 bottling of Insoglio, also excellent, is $34).

The Bolgheri Rosso known as Coronato, is produced from a nearby vineyard in the Bolgheri DOC and has the typical ripeness and power one expects from a top-flight red of this district. Black licorice, black cherry and bitter chocolate aromas are backed by a generous mid-palate and a well structured finish. Look for this 2006 to be at its best in 12-15 years (the outstanding 2005 is the current release and retails for $70).

Finally, the top wine of the estate (for now) is the Il Pino rosso. This blend of 35% Cabernet Franc, 32% Cabernet Sauvignon, 25% Merlot and 8% Petit Verdot offers beautiful structure, tons of fruit and refined tannins, with an earthy finish; look for this to be at its peak in 12-15 years. Antinori is banking on Cabernet Franc to be perhaps the best-performing variety at Tenuta di Biserno, as he believes the soils at his estate are best-suited to bring out the spice and complexity of this variety. The 2006 is currently available at $82 per bottle. Look for the premium estate red from Tenuta di Biserno to be released in the fall of this year. Based on what winemaker Helena Lindberg has accomplished so far, I’m looking forward to this wine!


Winter scene at Tenuta di Biserno (Photo ©Tom Hyland)

Benvenuto Brunello

Montalcino seen through the trees on the hill path to the south


Here is the final installment of Bill Marsano's articles on the recent anteprime tastings held recently in Tuscany. Look for more articles from Bill soon! - Tom Hyland

Anteprime Part III:
Benvenuto Brunello
© 2009 By Bill Marsano
Photos by Bill Marsano


Come we now to Montalcino, belfry of Southern Tuscany, land of surprises.

Full many a first-timer in Italy heads straight for Chianti: Limitless media coverage has led him to believe that Italy is Tuscany and Tuscany is Chianti. Never mind: He benefits greatly from Italy's civilizing IV-drip of culture--landscapes that are the backgrounds of Renaissance portraits; vineyards in which, Ruskin said, "the vines with their young leaves hang as if they were of thin beaten gold"; meals that are emotional experiences.

Back home, his tuscanized soul goes into mourning. By winter, if his winter is not a season but a curse, he leans toward suicide. Rallying, he nips off to Barnes & Noble to buy the coffee-table likes of "The Tuscany I Love," "Hidden Tuscany," "Secret Tuscany" and "Enchanted Tuscany," plus two cookbooks and a calendar for lagniappe. These he lays by the fire, where soon thereafter he lays himself and a bottle of wine.

Begone, gray melancholy! Away dull care! By turning pages and sipping wine he is returned to Eden. Then something clicks and he asks himself "What Tuscany is this?" Vast horizons; gentle hills rolling like ocean swells; the hillock with its single lonely cypress are all so magnificent--but utterly unfamiliar.

Here's the surprise: Chianti is too hill-hedged for panoramas; it's southern Tuscany that gives grandeur and poetry to coffee-table books, and Montalcino is its portal. Go there soon as you can.


Low clouds cloak the barren vineyards below the town


I went for the anteprima, which is called Benvenuto [welcome] Brunello, and the wine returns the favor. There were 146 '04s to taste in a mere two days, plus a batch of '03 riserve, '07 Rosso di Montalcino by the long ton and '07 Sant'Antimos both red and white. More wines came from producers who hunted down journalist-victims (very willing ones, I might add) for lunches and dinners.

So many wines--so little time! So here I plead with the Consorzio: Add another day to this event, please!

How good is the ’04 vintage? Some Ilcinesi grumbled about Gambero Rosso's snub: Biondi-Santi got Brunello’s sole Tre Bicchieri gonfalon this year, and it was for an '03. Producers hereabouts have been used to collecting almost a dozen a year. Not to worry: '04 is good, very good and damned good. And after the disappointments of '02 and '03, a little hype (aggressive enthusiasm, maybe?) was inevitable and is excusable. Really, there was an awful lot to like at the Benvenuto.

Three bottles that took me especially are all from women producers--Giovanna Neri, Bruna Baroncini and Candace Máté.

Giovanna Neri, who is sister to Giacomo of Casanova di Neri, produces Col di Lamo, the newest of this trio (or is it triumvirate?). Brunello is in her blood, obviously, so her fine '04 Brunello should be no surprise. Still, it's only her second vintage. Surely that bodes well? Bruna Baroncini of Poggio il Castellare bids fair to become one of the leading women of Italian wine. She also owns Montepulciano's Il Faggeto, Quercia Rossa in the Maremma and Chianti Classico's Caruccio Barlettani--even an outpost in Georgia, where she blends Cabernet and the indigenous Saperavi grape. Candace Máté came to Tuscany in the late '80s wanting only to restore a farmhouse. She ended up making wine and, perhaps more important, learning, she says, to pretty much ignore what enologists tell her to do. Now she rests content without one, and her '04 says she's on the right track, as does her '03. (She even did pretty well in ’02.)

Donatella Cinelli Colombini, Argiano and Banfi also came up trumps. In a stroke of luck, so did several producers whose confusible names keep many of us guessing. For '04, at least, it's not critical to distinguish among Palazzone, Palazzo and La Palazzetta, or Ferrero from Ferro. Same goes for La Campana, Capanna, Capanne Ricci, Caparzo and Caprili; Col d'Orcia, Coldisole, Collelceto, Collemattoni and Il Colle; Siro Pacenti and Pacenti Franco-Canalicchio and Canalicchio di Sopra; and Le Chiuse and Gianni Brunelli-Le Chiuse di Sotto.

In the end, there was an embarrassment of riches: Pian delle Querci, Greppone Mazzi, Oliveto, Terre Nere, Tiezzi, Uccelliera, Ventolaio, Belpoggio, Bolsignano, Campogiovanni, Cantina di Montalcino, Casanuova delle Cerbaie, Casisano Colombaio, Castello Romitorio, La Serena, Castello Tricerchi, Castiglion del Bosco, Fattoi, Le Ragnaie, Fuligni, Il Marroneto, Il Poggione, Innocenti, L'Aietta, La Fortuna, Mastrojanni, La Gerla, La Lecciaia, La Magia, La Manella, La Velona-Monade 90, Lambardi, Le Gode, Le Ragnaie, Lisini, Marchesato degli Aleramici, Mocali, Ciacci Piccolomini d'Aragona, La Serena and Scopone.

Surely there are more: Colleagues applauded Niccolai-Podere Bellarina, Poggio Salvi, Abbadia Ardenga, Altesino, Castelgiocondo, Pianrosso, Donna Olga, La Fiorita and La Togata, and I really couldn't argue. This vintage is easy to like, and I include the above because I'd rather err on the side of caution. After all, we're judging infants, and under extreme conditions: again, so many wines, so little time. Then consider externals and mundanities: gossip and rumor; last night's too-long/too-wet dinner; the tanti expressi needed to restore life next morning. Is judgment affected by online peeks at the plummeting Dow? By a tasting tent so cold you could hang meat in it? A call from your divorce lawyer? Your wife's divorce lawyer?

Still, many writers manage to arrive at precise numerical ratings (even very precise: I saw one fellow using half-points!). That's an achievement, I’m sure, but I am nagged by the belief that a man who would rate wine would rate women and deserves neither.


The fortezza, with rainbow


As for visiting Montalcino, by all means, do. Its encircling walls and looming 14-Century fortezza are largely intact, there are several good restaurants and, about every 50 feet, a Brunello-packed enoteca. All in all, rather impressive for a town of only 5000 or so population.

Montalcino has dozed through most of its history, jolted awake only twice by events of moment. In 1260 a Florentine host of 35,000 swooped down toward Siena bent on conquest. Although greatly outnumbered, the Senesi and their allies triumphed at the battle of Montaperti. Montalcino, as one of those allies, was numbered among the victors, if only technically. The battle lasted all day but the Ilcinesi managed to arrive when it was over. Troops retiring from the field scoffed, shouting at them "Becca morti!"

That means "pick up the dead" or, freely, "undertakers." Even today Ilcinesi are sometimes called Beccamorti by those who are looking for trouble.

Then back to bed for nearly three centuries until, in 1255, "the Medici thief" led another Florentine attack on Siena. The government upped stumps and fled to Montalcino, where the Republic of Siena in Montalcino was declared. Besieged, the Ilcinesi held out until nearly starved out in 1259.

The fortezza, at the south end of town, gives glorious views from it ramparts and glorious glasses in its well-stocked tasting room; a few yards beyond is Sant'Egidio, a frescoed church containing remnants of the Republic's glory. Opposite is the town hall. One look at the distinct design of its slender tower tells you that Montalcino was--once--part of Siena.

There are hotels plain and fancy as well as affitta camere (one of them in a converted cantina) and, in the countryside, farms offering agriturismo. _There are two hotels just south of the town, the Bellaria and the (to me) unacceptable Al Brunello. For max luxe, keep going south to see the elegant rooms offered at Castello Banfi, which is just a few miles farther on a panoramic road (castellobanfi.com).

Nearby: the splendid abbeys of Sant'Antimo and Monte Oliveto Maggiore; Sant'Angelo in Colle, a jewel of a hilltown; Buonconvento (see its small but beautifully preserved northen end and you'll be one up on those—i.e., almost everyone else--who dismiss Buonconvento as entirely modern, ugly and commercial); and Paganico, a tiny walled town, hardly bigger than a castle, that still sits bravely astride the road to deter any enemy troops advancing from the west.

You might take a bottle Brunello and a picnic lunch to one of these sites. Or any of a hundred other.


Brunello—and the year 2009—are welcomed with a plea for peace